'Woman and Sense’’

"Women and Sense" is a project collaboration of fashion photographer Elena Popykhova and fashion illustrator Sirana Petrosyan from University of the Arts. It is an installation of 6 pictures created by using collages made from artist’s previous works and pages from magazines.

The collection ''Woman and Sense'' is dedicated to a strong, independent and sophisticated woman who succeeded in virtue of her strange extraordinary sense. Her selfish desire of willing to enjoy herself is demonstrated by her inner world which is coming out from her hair, face and body. Power woman is a global trend which is about a successful, powerful woman, who wants to fill the space with her inner world all around herself. The artist expressed that by using black lines, watercolors, salt and bright graphic collages. Forms and poses of the heroine tell us about her strength, self-confidence and rigidity.

Niki de Saint Phalle

Half French, half American, and bilingual, Niki de Saint Phalle was (born Catherine-Marie-Agnès Fal de Saint Phalle, 29 October 1930 – 21 May 2002) was a French sculptor, painter, and filmmaker. Niki de Saint-Phalle taught herself painting and rose to artistic prominence through her colorful monumental outdoor sculptures of extravagantly voluptuous female figures. Early in her career, she became known for the abstract paintings she made by placing paint-filled bags above canvases and shooting them—a form of protest against patriarchy and rigidity. Her passionately lived life provides the raw material for her works. Driven in part by aggressiveness, in part by the joy of life and love, and infused with humor and an enormous capacity for work, de Saint Phalle has been able to make the wounds of life productive for her art.

Niki de Saint Phalle, “Heads of State (Study for King Kong)” (spring 1963) (© BPK, Berlin, Dist. RMN-Grand Palais/Michael Herling/Benedikt Werner)

After her childhood in an upper middle-class family and a strict Catholic education in an American convent-school, among other schools she attended, Niki eloped at eighteen with a young American, Harry Mathews, and had two children. Following a psychological breakdown she used painting as therapy while still in the mental hospital—her early art was thus the attempt of an autodidact to transform her dreams and terrors into images. The idea of the “shooting paintings” evolved: white sculptures and assemblages with enclosed containers of paint which would be shot at, thus releasing aggression and causing the paint to pour over the image. The “shooting paintings” attracted attention and were de Saint Phalle's first success. She said of them: “In 1961 I shot at Papa, at all men, at important men, fat men, men, my brother, society, the church, the convent, school, my family, my mother….” The campaign of liberation carried out in the “shooting paintings” reached its conclusion with the monumental image King Kong.

Niki de Saint Phalle, “Les Trois Grâces” (“The Three Graces”) (1995–2003) (photo by Veronique Bidinger)

And then there were the Nanas, which made their creator famous. The first figures, still made of wire and fabric, were exhibited in Paris in 1964. In 1966 the first large project followed in Stockholm's Moderna Museet: a 27-meter-long reclining female figure which could be walked through, entering via the vagina. She was the original mother of all the Nanas to follow; monstrous, serenely happy, brightly painted, provocative and outrageous, the Nanas would soon captivate the world.

Sophie Derrick Art

Her work incorporates the two mediums of painting and photography. She has a great interest in the materiality and substance of paint, and executes this interest through photography, creating a juxtaposition of the two mediums. Shephotograph the act of painting on toskin and then paints on top of the photographs, creating a layering of image of paint and painted image. Her body becomes the canvas for the paint, questioning the traditional concept of painting and portraiture, and the barriers between painting and photography. The body becomes both object and subject in the work.